Archive for the ‘Guest Blog’ Category

Sewing Paper by Lindsay Zier-Vogel

Friday, August 20th, 2010

I love sewing paper, perhaps even more than fabric. I love the way the thread stands out on the paper, I love how the paper can still hold its shape and I love the endless possibilities of thread and paper.

1 - punching out the holes first

For hand sewing:

I have learned that punching the holes first is key. I, of course, learned this the hard way, after creasing too many sheets of lovely paper, and ending up with misplaced holes that can’t be undone as they can be with fabric.

I take an image, usually a line drawing and lay it over top of the paper I’d like to sew. Then, with a needle, or a needle jammed into the end of a cork to save my fingers, I poke out the holes on top of a soft surface – often the couch.

2 - blue eyed grass finished

I will use 2-3 strands of embroidery floss; from there, the sewing is easy!

I usually use a glue stick on the back to cover up the messy underside with another piece of glued on paper.

3 - embroidered prairie flowers

Thicker kozo paper, like the Hagaki, works wonderfully and doesn’t crinkle or bend too much when you’re punching in the holes, and I’ve found the Nepalese paper that The Paper Place carries is wonderful for embroidery. It creases easily, but is easy to smooth out when glued. It is one of my very favourite papers to sew with.

4 - more embroidery, kozo

For machine sewing:

I use a medium-sized needle so the holes in the paper aren’t too big. I’d be lying if I said I had a paper needle and a fabric needle, though I probably should. Paper dulls needles quickly though, so I’d definitely recommend switching them out quite often.

6 - sewing machine 1

Even the most basic machine can handle paper – even a bunch of them if you go slowly enough. I often bind books using my trusty sewing machine (set on the longest stitch) and love the accented look of machine stitching on paper. And the zig zag stitch is perfect for affixing decorative bits to pages.

7 - zig zag stitch

visit Lindsay’s website for more of her inspiring work!

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Writing, Bookbinding, and Letterpress in Nebraska

Monday, July 26th, 2010

Reflections from Lindsay Zier-Vogel on her residency in Nebraska.


I spent the last month at a writing (and letterpress!) residency at Art Farm in Nebraska – it was brilliantly inspiring.  I created a writing studio in the back of what will one day be a fully functional print shop.  The space houses towers of salvaged paper, 240 fonts and a bunch of printing presses.  This is where I set to work learning how to use the letterpress.


lzv letterpressing, photo by jJenny Lederer

I printed two books while I was down there – each page was hand-set and hand-cranked, and of course, hand-bound.

Using the press required me to slow down my process.  No more crank it out in an evening books.  Instead, I’d spend days setting the type, prepping the paper, and getting the ink exactly right.

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18-point font seems huge in the land of computers, but I tell you, those commas were the teeniest little things. As soon as I got to the press and rolled the heavy handle, though, I’d forget about all the curse words and foot stomping and fumbling fingers of typesetting and be delighted and amazed at each printed page.


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I printed my first book, love. on salvaged paper, with maps of Nebraska for the end papers and cover detail, with my favourite Nepalese paper from The Paper Place for the cover. The paper’s fabric-y enough to hold sewing machine stitches easily.


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For A Miracle Somehow, I used a variety of papers including found gridded paper, and the most glorious ivory cotton St. Armand papers that I brought down with me (also from The Paper Place.) The text was so clear and rich and printed so beautifully, it’s all I ever want to print on from here on in.


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I’m now home and can’t wait to start playing around with more Letterpress in Toronto.

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Sewn Booklet Project by Arounna Khounnoraj

Saturday, July 24th, 2010

Another great project from our friend Arounna at Bookhou.
This project is making simple and easy journals using batik papers from Nepal.
This project requires a sewing machine.  If you don’t have one, you can use a needle and book binding thread, however, it is advisable to pre-make holes using an awl. (these materials can be found at The Paper Place)

Sewn Book - what you need

Things you need:

-  Batik Nepalese paper (cut to 4.25 x 5.5 in.)
-  Paper for your pages (anything will do.  A great opportunity use up papers you may already have) –  cut this paper to 4 x 5.25in. I used 8 sheets in each book.
-  Sewing machine (or thread and needle)
-  Craft knife
-  Metal ruler
-  Cutting mat

Sewn Book - step 1

Step one:

Once the paper is cut to size, lay the pages inside the book cover and score down the middle with your finger.

Sewn Book - step 2

step 2-3:

Sew along the centre of the book – holding all the pieces together.  If you like, you can use a close pin to hold all the pieces together so that the pages don’t move.

Sewn Book - finished product

All done – make lots and give them to friends and family for sketching, note taking, journalling or for lists.

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Lindsay Zier-Vogel – On The Road With Letterpress!

Thursday, July 1st, 2010

Another blog contribution from Lindsay Zier-Vogel…on the road!

I’m in rural Nebraska doing a writing residency and in additions to corn and soybean fields that go on longer than my eyes can make sense of, hot, hot winds and an even hotter sun, barns filled with art and artists and more lightening bugs than I’ve ever seen in my life, there are nine printing presses and the 240 fonts all in little perfect drawers.

Drawer of Type

Drawer of Type

Not only am I falling in love with the metal type and the thick gooey ink, letterpress terminology is amazing: you fill a ‘composing stick’ with each letter, ‘the quoin key’ locks the type in place (called, ‘locking up the chase’) and the ‘furniture’ fills in the space around the text.

Press all locked up!

Press all locked up!

After a few days of cleaning up the 100-year-old press, I inked it up and printed my first sheet – only to discover I had forgotten the “n” in “sounds.” Oops. With the “n” firmly in place, I started playing with papers of different weights.

Prints

Prints

It certainly is a labour intensive process and totally changes how I feel about words. It’s so easy to toss words around these days – it just takes a finger against a key, but back in the day, each letter had to be chosen, then placed, stringing words together so painstakingly.

I dream in letterpress now and have a notebook full of book ideas and a huge stash of delightful St. Armand’s I brought down in my suitcase…more to come…

(more photos on my site: www.lindsayziervogel.com)

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Inspired by Paper

Monday, June 21st, 2010

Recently we received a surprise in the mail from one of our online customers! She sent us a fabulous Thank You card using the packing materials and little snack packs that we send out with our packages. She also included some examples of her work for us to see what she does with paper! This was much appreciated and truly inspiring, so we asked her if we could feature them on our blog! Below you’ll see the cards she sent, as well as a wonderful write up about her.

EileenCards

My name is Eileen Fitzpatrick, I’m an “almost 40” disabled artist living in Calgary, Alberta.  About ten years ago I experienced some major changes in my health and began losing my vision.  My background is in community-based social work, primarily with seniors and people with disabilities.  I try to encourage my clients and my colleagues to use creative methods in their work and therapies.  Art has always been an outlet for me in dealing with challenges, and as my circumstances have changed, my interest in paper arts with Japanese paper has evolved.

Several members of my family are quilting enthusiasts, and I’ve always appreciated quilting designs, particularly crazy quilts and squares. Though I am unable to thread a sewing machine, I can wield a mean glue stick! After my brother fell in love and married a Japanese girl, I fell in love with Japanese paper and married my interests in quilting and paper together in my hobby.

What I find most beautiful about Japanese paper is that the natural dyes, fibres, and textures of the raw materials are not over-processed and disguised. In my mind, it’s the embodiment of a philosophy: the nature of the ingredients are embraced and made part of the expression; the flaws become part of that beauty.  That’s an attitude that would greatly improve the world, if we could all embrace our flaws and what they contribute to the texture of our lives.

It feels funny trying to describe what I do, I laugh when I think about it – I use what colours I think look good together (despite the fact that I’m partly colour blind); simplicity and clean lines appeal to me (though often my lines are not straight because my eyes have trouble with that). I have no extensive formal training in art or design and no pre-conceived notions of what is popular or marketable.  The work is its own therapy, and the results reflect my personality and my abilities.

I love the smell of the different papers, the feel of the textures, the vibrant colours, the range of designs.  Often I combine some of the richer, more intricate designs with very uncomplicated naturally dyed papers and highlight them with wool, jute, ribbon, buttons and found objects.  Each project is an attempt at fusion and I literally don’t know where I’m going when I start.  It’s true, “Art enables us to find ourselves, and lose ourselves, at the same time.” – Thomas Merton.

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