Posts Tagged ‘book’

Sewing Paper by Lindsay Zier-Vogel

Friday, August 20th, 2010

I love sewing paper, perhaps even more than fabric. I love the way the thread stands out on the paper, I love how the paper can still hold its shape and I love the endless possibilities of thread and paper.

1 - punching out the holes first

For hand sewing:

I have learned that punching the holes first is key. I, of course, learned this the hard way, after creasing too many sheets of lovely paper, and ending up with misplaced holes that can’t be undone as they can be with fabric.

I take an image, usually a line drawing and lay it over top of the paper I’d like to sew. Then, with a needle, or a needle jammed into the end of a cork to save my fingers, I poke out the holes on top of a soft surface – often the couch.

2 - blue eyed grass finished

I will use 2-3 strands of embroidery floss; from there, the sewing is easy!

I usually use a glue stick on the back to cover up the messy underside with another piece of glued on paper.

3 - embroidered prairie flowers

Thicker kozo paper, like the Hagaki, works wonderfully and doesn’t crinkle or bend too much when you’re punching in the holes, and I’ve found the Nepalese paper that The Paper Place carries is wonderful for embroidery. It creases easily, but is easy to smooth out when glued. It is one of my very favourite papers to sew with.

4 - more embroidery, kozo

For machine sewing:

I use a medium-sized needle so the holes in the paper aren’t too big. I’d be lying if I said I had a paper needle and a fabric needle, though I probably should. Paper dulls needles quickly though, so I’d definitely recommend switching them out quite often.

6 - sewing machine 1

Even the most basic machine can handle paper – even a bunch of them if you go slowly enough. I often bind books using my trusty sewing machine (set on the longest stitch) and love the accented look of machine stitching on paper. And the zig zag stitch is perfect for affixing decorative bits to pages.

7 - zig zag stitch

visit Lindsay’s website for more of her inspiring work!

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Writing, Bookbinding, and Letterpress in Nebraska

Monday, July 26th, 2010

Reflections from Lindsay Zier-Vogel on her residency in Nebraska.


I spent the last month at a writing (and letterpress!) residency at Art Farm in Nebraska – it was brilliantly inspiring.  I created a writing studio in the back of what will one day be a fully functional print shop.  The space houses towers of salvaged paper, 240 fonts and a bunch of printing presses.  This is where I set to work learning how to use the letterpress.


lzv letterpressing, photo by jJenny Lederer

I printed two books while I was down there – each page was hand-set and hand-cranked, and of course, hand-bound.

Using the press required me to slow down my process.  No more crank it out in an evening books.  Instead, I’d spend days setting the type, prepping the paper, and getting the ink exactly right.

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18-point font seems huge in the land of computers, but I tell you, those commas were the teeniest little things. As soon as I got to the press and rolled the heavy handle, though, I’d forget about all the curse words and foot stomping and fumbling fingers of typesetting and be delighted and amazed at each printed page.


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I printed my first book, love. on salvaged paper, with maps of Nebraska for the end papers and cover detail, with my favourite Nepalese paper from The Paper Place for the cover. The paper’s fabric-y enough to hold sewing machine stitches easily.


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For A Miracle Somehow, I used a variety of papers including found gridded paper, and the most glorious ivory cotton St. Armand papers that I brought down with me (also from The Paper Place.) The text was so clear and rich and printed so beautifully, it’s all I ever want to print on from here on in.


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I’m now home and can’t wait to start playing around with more Letterpress in Toronto.

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Sewn Booklet Project by Arounna Khounnoraj

Saturday, July 24th, 2010

Another great project from our friend Arounna at Bookhou.
This project is making simple and easy journals using batik papers from Nepal.
This project requires a sewing machine.  If you don’t have one, you can use a needle and book binding thread, however, it is advisable to pre-make holes using an awl. (these materials can be found at The Paper Place)

Sewn Book - what you need

Things you need:

-  Batik Nepalese paper (cut to 4.25 x 5.5 in.)
-  Paper for your pages (anything will do.  A great opportunity use up papers you may already have) –  cut this paper to 4 x 5.25in. I used 8 sheets in each book.
-  Sewing machine (or thread and needle)
-  Craft knife
-  Metal ruler
-  Cutting mat

Sewn Book - step 1

Step one:

Once the paper is cut to size, lay the pages inside the book cover and score down the middle with your finger.

Sewn Book - step 2

step 2-3:

Sew along the centre of the book – holding all the pieces together.  If you like, you can use a close pin to hold all the pieces together so that the pages don’t move.

Sewn Book - finished product

All done – make lots and give them to friends and family for sketching, note taking, journalling or for lists.

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Book Cover Project by Arounna of bookhou

Wednesday, June 16th, 2010

Another inspiring project sent to us from Arounna Khounnoraj of bookhou.

I really like this project – it’s a nice way to add colour to your book shelf or give new life to an old favourite.

book covers finished

book covers finished

book covers materials needed

book covers materials needed

What you will need:
book(s)
decorative paper (shown in picture are
Chiyogami, printed Nepalese papers, and Carta Varese papers from Italy.)
folding bone
craft knife
ruler
pencil
cutting mat

book covers step 1

book covers step 1

step 1
Holding the book pages, lay the front and back cover flat in the centre of the decorative paper (on plain side) and take your pencil to trace.

book covers step 2

book covers step 2

book covers step 3

book covers step 3

step 2-3
allow about 2-3 inches around the perimeter of the outline drawn – any extra use your xacto knife and ruler to trim. Take your folding bone and score along the top and bottom lines of the pencil lines

book covers step 4

book covers step 4

step 4
fold over the flaps

step 5
place the book on top of the paper and fold over the flap for the front and back of the book tucking them in under each cover.

book covers step 6

book covers step 6

step 6
once the book is placed inside the paper rub your fingers all around to crease the edges.

all done!

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Another wonderful guest post – Local artist Lindsay Zier-Vogel

Monday, May 10th, 2010

Local writer, bookmaker, and arts educator Lindsay Zier-Vogel has been a customer of our store for many years.  She has agreed to lend her creativity to our blog. Here she tells us about her most recent book making project.  See more of Lindsay’s fabulous works on her website.

I have been creating hand-bound limited edition books for the last 10 years and love nothing more than turning paper into books.

Lindsay Zier-Vogel Bookworks

Lindsay Zier-Vogel Book works

In January, I realized I had been so focused on working on a novel-length manuscript that I hadn’t been writing poems or making hand-bound books as often as I wanted to be, so I decided that for 2010, I’d make (at least!) one book a month (and write a poem a day…!).

I was scared it’d be daunting, having to create a book every 30 days, but it turns out, it’s not daunting in the least. Instead, it’s so inspiring. Doing one book (with a small run of max. 5 books) keeps me motivated and inspired. And as soon as the month’s book is done, I find myself starting to dream up the next creation. Having a month to ruminate makes it all the more exciting when I actually get down to business.

I read an astounding book in March – “If No One Speaks of Remarkable Things,” by Jon McGregor. It is a stunning read, with the most gorgeous images of urban skies and birds and telephone wires that inspired many a-poem.

Lindsay Zier-Vogel Bookworks

Lindsay Zier-Vogel book works

I knew the St. Armand’s paper would hold up well to the bit of pop-up on the cover and the Nepalese paper on the inside holds ink from my bubble jet printer like a dream.

Lindsay Zier-Vogel book works

Lindsay Zier-Vogel book works

Lindsay Zier-Vogel book works

Lindsay Zier-Vogel book works

A poem from the book:

A blurred wing,
the edges of roofs
and chimneys smeared,
but her voice, a telephone wire,
words falling into
a sidewalk square.
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