Posts Tagged ‘lindsay zier-vogel’

Sewing Paper by Lindsay Zier-Vogel

Friday, August 20th, 2010

I love sewing paper, perhaps even more than fabric. I love the way the thread stands out on the paper, I love how the paper can still hold its shape and I love the endless possibilities of thread and paper.

1 - punching out the holes first

For hand sewing:

I have learned that punching the holes first is key. I, of course, learned this the hard way, after creasing too many sheets of lovely paper, and ending up with misplaced holes that can’t be undone as they can be with fabric.

I take an image, usually a line drawing and lay it over top of the paper I’d like to sew. Then, with a needle, or a needle jammed into the end of a cork to save my fingers, I poke out the holes on top of a soft surface – often the couch.

2 - blue eyed grass finished

I will use 2-3 strands of embroidery floss; from there, the sewing is easy!

I usually use a glue stick on the back to cover up the messy underside with another piece of glued on paper.

3 - embroidered prairie flowers

Thicker kozo paper, like the Hagaki, works wonderfully and doesn’t crinkle or bend too much when you’re punching in the holes, and I’ve found the Nepalese paper that The Paper Place carries is wonderful for embroidery. It creases easily, but is easy to smooth out when glued. It is one of my very favourite papers to sew with.

4 - more embroidery, kozo

For machine sewing:

I use a medium-sized needle so the holes in the paper aren’t too big. I’d be lying if I said I had a paper needle and a fabric needle, though I probably should. Paper dulls needles quickly though, so I’d definitely recommend switching them out quite often.

6 - sewing machine 1

Even the most basic machine can handle paper – even a bunch of them if you go slowly enough. I often bind books using my trusty sewing machine (set on the longest stitch) and love the accented look of machine stitching on paper. And the zig zag stitch is perfect for affixing decorative bits to pages.

7 - zig zag stitch

visit Lindsay’s website for more of her inspiring work!

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Writing, Bookbinding, and Letterpress in Nebraska

Monday, July 26th, 2010

Reflections from Lindsay Zier-Vogel on her residency in Nebraska.


I spent the last month at a writing (and letterpress!) residency at Art Farm in Nebraska – it was brilliantly inspiring.  I created a writing studio in the back of what will one day be a fully functional print shop.  The space houses towers of salvaged paper, 240 fonts and a bunch of printing presses.  This is where I set to work learning how to use the letterpress.


lzv letterpressing, photo by jJenny Lederer

I printed two books while I was down there – each page was hand-set and hand-cranked, and of course, hand-bound.

Using the press required me to slow down my process.  No more crank it out in an evening books.  Instead, I’d spend days setting the type, prepping the paper, and getting the ink exactly right.

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18-point font seems huge in the land of computers, but I tell you, those commas were the teeniest little things. As soon as I got to the press and rolled the heavy handle, though, I’d forget about all the curse words and foot stomping and fumbling fingers of typesetting and be delighted and amazed at each printed page.


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I printed my first book, love. on salvaged paper, with maps of Nebraska for the end papers and cover detail, with my favourite Nepalese paper from The Paper Place for the cover. The paper’s fabric-y enough to hold sewing machine stitches easily.


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For A Miracle Somehow, I used a variety of papers including found gridded paper, and the most glorious ivory cotton St. Armand papers that I brought down with me (also from The Paper Place.) The text was so clear and rich and printed so beautifully, it’s all I ever want to print on from here on in.


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I’m now home and can’t wait to start playing around with more Letterpress in Toronto.

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Lindsay Zier-Vogel – On The Road With Letterpress!

Thursday, July 1st, 2010

Another blog contribution from Lindsay Zier-Vogel…on the road!

I’m in rural Nebraska doing a writing residency and in additions to corn and soybean fields that go on longer than my eyes can make sense of, hot, hot winds and an even hotter sun, barns filled with art and artists and more lightening bugs than I’ve ever seen in my life, there are nine printing presses and the 240 fonts all in little perfect drawers.

Drawer of Type

Drawer of Type

Not only am I falling in love with the metal type and the thick gooey ink, letterpress terminology is amazing: you fill a ‘composing stick’ with each letter, ‘the quoin key’ locks the type in place (called, ‘locking up the chase’) and the ‘furniture’ fills in the space around the text.

Press all locked up!

Press all locked up!

After a few days of cleaning up the 100-year-old press, I inked it up and printed my first sheet – only to discover I had forgotten the “n” in “sounds.” Oops. With the “n” firmly in place, I started playing with papers of different weights.

Prints

Prints

It certainly is a labour intensive process and totally changes how I feel about words. It’s so easy to toss words around these days – it just takes a finger against a key, but back in the day, each letter had to be chosen, then placed, stringing words together so painstakingly.

I dream in letterpress now and have a notebook full of book ideas and a huge stash of delightful St. Armand’s I brought down in my suitcase…more to come…

(more photos on my site: www.lindsayziervogel.com)

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A new month, a new artist book from Lindsay Zier-Vogel

Thursday, June 10th, 2010

An update from Lindsay’s challenge to product one artist book per month for 2010.

It’s full on summer here in Toronto and spring feels oh-so-long ago.  Way back when sundresses were an abstract thought, this year’s spring started with a neighbour’s yellow forsythia bush that was so bright and brilliant it nearly brought tears to my eyes.

Bloom

Bloom

It was still weeks before the crocuses started, and the violets that then peppered my front lawn, but this forsythia marked the end of winter and the beginning of that fabulous season that is spring – oh, how I love the uprightness of tulips and the bleating insistence of daffodils. It always seems like the most fabulous of miracles.

Bloom open

Bloom open

In my tradition of making a book a month for 2010, I knew, after seeing this shock of forsythia that my April book was going to be flower-based. There’s nothing quite like that first bit of colour after even a not-so-brutal winter…

Forsythia

Forsythia

For more of Lindsay’s work visit her website www.lindsayziervogel.com

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