Archive for the ‘How-To’ Category

My First Bookmaking Project

Thursday, May 3rd, 2012

This week, with the help and advice of my coworkers, I embarked on my first bookmaking project. I started with a basic design around using Chicago screws and I wanted to share some progress images. After this experience I think the process is the special part of the book, even though the finished result is very pretty (if I do say so myself).

Pieces of eska board cut for the cover

Pieces of eska board for the cover, this will be like the skeleton of the book.

Putting rice paste onto the eska board

Putting rice paste onto the eska board to attach the cover paper

Click below the break for more:

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Chi-chi-chi-chiyogami Nails!

Thursday, April 26th, 2012

I wanted to add a little bit more chiyogami to my daily life, so I chiyogami-ed my nails. To do so I used a pair of scissors, nail file, nail clippers, nail glue, clear polish to create this look along with the paper.

Using tracing paper (you could use any kind of thinner paper), I traced and cut out templates for each of my nails.  I numbered them, left hand and right hand, so I wouldn’t get confused later when cutting out the chiyogami pieces.

After cutting out each piece I then used the nail glue to attach them to my nails.  I put a small dot of glue on the middle of my nail and pressed the chiyo onto it letting it set for a minute.  I then put a little bit more glue around the sides to adhere them down.  If you’re trying this, be careful not to glue your fingers together or to the paper.  I found that using the tip of my nail file to press the paper to the sides of my nail worked best.  Make sure to follow the instructions of the glue you purchase for safe application.

Once the glue was fully dried I added a clear top coat to help protect them.  I cleaned up the edges by cutting or filing off any excess paper or glue with my nail tools. The colours in the paper darked once adhered and coated on my nails.  I really liked the finished product.


I used 445C, a fun green and gold stripe one week, and  619C, a soft floral the following week.

Try it for yourself at home and enjoy!

Jax

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Intrinsic Colour and Texture

Thursday, April 5th, 2012

Everyone knows that Kozuke is one of my favourite papers. It is economical and it always responds to my commands.

For this slightly sculptural piece, I applied acrylic paint to strips of Kozuke. I usually dilute my paint until it is fairly watery, which creates a wonderful bleeding effect on the other side of the paper.

I had difficulty choosing which side of the individual strips to use in this work, so in order to enhance the amount of variation evident across the paper’s surface, I used both!

Adding texture to the paper by crumpling it (what a great sensation!) only intensified the succulent colour of the paint. I’m longing for the salty, turquoise waters of Lia Beach in Mykonos, Greece and am craving a sip of Mastika!

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Sushi Time in Origami Land

Saturday, March 17th, 2012

This past week was the 101st birthday of Akira Yoshizawa, who is renowned as the grandfather of modern day origami.  You may have seen the Google Doodle dedicated to him on Wednesday.  He was born in Kaminokawa Japan on March 14th, 1911.  His most significant contributions to the world of origami were the Yoshizawa-Randlett System as well as the wet-folding technique.

Yoshizawa-Randlette System

The Yoshizawa-Randlette System is a set of basic diagrams with arrows and line folds which have come to represent the standard language of origami today.  Even if the written directions aren’t in a language you can read, the symbols of this system still allow you to execute each step.  Wet-folding creates more sculpted looking, finished products through moistening the paper.  This technique is usually used on thicker paper rather than thinner origami paper that can rip easily when damp.

Growing up, I did a lot of origami with my mom and sisters.  I think it’s a great Sunday afternoon crafting project.  I recently made some food origami from a sushi kit that looked good enough to eat!

I made some origami sushi and a pancake with butter, yum!

origami sushi

origami pancake

The Paper Place carries a lot of fun origami kits, books and different sizes and patterns of paper for any type of origami you would like to create.  Come in and try something!

*******Jax

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Paper Potential – Customized Serving Tray

Thursday, March 1st, 2012

Decorative paper is a great way to convert something boring and bland into something unique and customized.  I found this inexpensive but uninspired serving tray at IKEA.  It functioned just fine but it wasn’t much to look at, so I decided to give it a make-over.  I choose my favourite Katazome-shi and got to work!

For this project I used Katazome-shi 63W, ModPodge, a paint brush, a ruler, an X-Acto knife, a cutting mat and small Phillips-head screwdriver.

Begin by disassembling your tray.  Choose an end and remove all four screws.  You only need to take off one side to slide out the masonite bottom of the tray.  With the bottom board separate, it will be much easier to measure and apply the paper without getting ModPodge all over the sides of the tray.

Once your tray is apart, measure the size of the bottom board.  I measured mine to be 13×20.5 inches.  Use your ruler and X-Acto knife to cut your decorative paper to size.  Always cut on a cutting mat and don’t forget to use the guide lines on your mat to get an accurate 90 degree angle cut.

With your paper ready, it is time to start gluing.  The great thing about ModPodge is that it is an adhesive as well as a top coat.  It may appear opaque to begin with but when applied correctly it will dry completely clear.

Protect your work surface with some scrap paper or newsprint.  ModPodge can get a bit messy!  Start applying the ModPodge in the centre of the backside of your paper.  Brush the podge outward from the middle towards the edges. The best way to be sure it is fully covered without any missed spots is to go right off the edge with your brush.  Don’t worry about making a mess as the scrap paper you laid down first will protect your work surface!  Once the whole area is covered, apply the sticky side of the paper to the tray board.  Smooth out any bubbles or wrinkles gently with your fingers.  The paper should be completley flat against the board and glued down in every area.

Wait for 5-10 minutes for the glue to dry a bit. Only then will it be safe to begin laying on a top coat.  Apply the ModPodge over the top of the decorative paper in the same fashion as before; start in the middle and brush outwards towards the edge.  Apply the podge thinly and quickly–it is best not to labour over the strokes.  ModPodge drys quite fast and interference with partially dry podge can effect the clarity of the finish.  This is the same reason it is best to do several thin coats instead of one thick one.  Thick podge has a hard time drying and sometimes the lower layer of the opaque wet podge can get entombed and refuse to dry clear.

You must wait for the first coat to completely dry before adding a second.  This will take anywhere from 10-20 minutes depending on the conditions of your workspace.  Once you can no longer see any milky strokes, it is time for the next coat.  Repeat the process for at least 4-5 coats.  The more coats you apply, the more durable and glossy your tray will become.  After your final coat has dried fully, reassemble your tray.  It is wise to let your tray cure for 48 hours before use in order to ensure that any moisture will not reactivate the ModPodge.  After that, put your lovely decorative tray to use!

Take something average and make it make it your own.  Instead of using just one paper, you could even create a collage of all your complimentary favourites.  There is so much potential in any artistic situation when you just add paper!

…and now, it’s tea-time!

 

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